(1788-1865), a self-taught New England portrait painter, is regarded as one of the most important folk artists of his era. Phillips was born in Colebrook, Connecticut, and began painting portraits as early as 1810. He worked as an itinerant painter in Connecticut, Massachusetts, and New York for five decades. In 1924, a group of portraits of women, shown leaning forward in three-quarter view and wearing dark dresses, were displayed in an antique show in Kent, Connecticut. The anonymous painter of these strongly colored works, which dated from the 1830s, became known as the "Kent Limner," after the locality where they had come to light. Stylistically distinct from those of the "Kent Limner," a second group of early-19th-century paintings emerged after 1940 in the area near the Connecticut?CNew York border. Attributed at the time to an unknown "Border Limner," these works, dating from the period 1812?C1818, were characterized by soft pastel hues, as seen in the portrait of Harriet Leavens, now in the Fogg Art Museum, Harvard University. It was not until 1968 that Ammi Phillips's identity as the painter of both groups of portraits was established. Additional works were identified, showing the artist's transition from the delicate coloration of the Border period to the bold and somber works that followed.   Related Paintings of Ammi Phillips :. | Jeannette Woolley, later Mrs. John Vincent Storm | Betsey Beckwith | Mrs. Wilbur Sherman and daughter Sarah | Portrat der Harriet Leavens | The Teresa and H. John Heinz III Charitable Lead Trust |
Related Artists:
Anicet-Charles-Gabriel Lemonnier
French Painter, 1743-1824
Francois Stroobant
Francois Stroobant (14 June 1819 Brussels - 1 June 1916 Elsene) was a Belgian painter and lithographer, and brother of the lithographer Louis-Constantin Stroobant (1814-1872) noted for his part in Flore des Serres et des Jardins de l'Europe. He attended the Brussels Academie des Beaux-Arts between 1832 and 1847, studying under Francois-Joseph Navez, Paul Lauters and Francois-Antoine Bossuet (1798 - 1889). In 1835 he worked in the studio of the lithographer Dewasme-Pletinckx in Brussels. Stroobant's subjects were mainly landscapes and architecture. He travelled extensively through the Netherlands, France, Germany, Switzerland, Italy, Spain and Hungary, exhibiting in the galleries of the Belgian towns Ghent, Antwerp and Brussels. His romantic painting style stayed constant throughout his career. He was founder and first director in 1865 of the Academie des Beaux-Arts at Sint-Jans-Molenbeek in Brussels.
John Brett
John Brett (1831-1902) was an artist associated with the Pre-Raphaelite movement (although is not considered to be a Pre-Raphaelite painter himself), mainly notable for his highly detailed landscapes. Brett was born near Reigate on 8 December 1831, the son of an army vet. In 1851 he began lessons in art with James Duffield Harding, a landscape painter. He also studied with Richard Redgrave. In 1853 he entered the Royal Academy schools, but was more interested in the ideas of John Ruskin and William Holman Hunt, whom he met through his friend the poet Coventry Patmore. Inspired by Hunt's ideal of scientific landscape painting Brett visited Switzerland, where he worked on topographical landscapes and came under the further influence of John William Inchbold.